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{{nowrap|[[電子流行]]}}、{{nowrap|[[流行民謠]]}}、{{nowrap|{{le|空靈波|Ethereal wave}} }}、{{nowrap|[[艺术流行]]}}、{{nowrap|{{le|電子民謠|electro-folk}}}}、{{nowrap|[[合成器流行]]}}
{{nowrap|[[電子流行]]}}、{{nowrap|[[流行民謠]]}}、{{nowrap|{{le|空靈波|Ethereal wave}} }}、{{nowrap|[[艺术流行]]}}、{{nowrap|{{le|電子民謠|electro-folk}}}}、{{nowrap|[[合成器流行]]}}
| length = 49:55
| length = 49:55
| label =
| label =* [[迪卡唱片|迪卡]]
* [[迪卡唱片|迪卡]]
* {{le|Glassnote唱片|Glassnote Records|Glassnote}}
* {{le|Glassnote唱片|Glassnote Records|Glassnote}}
| producer = 歐若拉<br />{{le|芒努斯·斯卡爾斯塔德|Magnus Skylstad}}<br />{{le|马蒂亚斯·特列斯|Matias Tellez}}
| producer = 歐若拉<br />{{le|芒努斯·斯卡爾斯塔德|Magnus Skylstad}}<br />{{le|马蒂亚斯·特列斯|Matias Tellez}}

2024年4月30日 (二) 13:23的版本

不完美之神
"The Gods We Can Touch"
歐若拉的录音室专辑
发行日期2022年1月21日
录制时间2019年11月—2020年7月
录音室男爵領地羅森達爾（英语：Barony Rosendal）（挪威韦斯特兰郡）
The Office（挪威）
The Jungle（挪威）
Blanca Studio（挪威卑爾根）
类型電子流行、流行民謠、空靈波（英语：Ethereal wave） 、艺术流行、電子民謠（英语：electro-folk）、合成器流行
时长49:55
语言英語
唱片公司
制作人歐若拉
芒努斯·斯卡爾斯塔德（英语：Magnus Skylstad）
马蒂亚斯·特列斯（英语：Matias Tellez）
歐若拉专辑年表
另類物種（英语：A Different Kind of Human (Step 2)）
（2019年） 		不完美之神
（2022年）
收錄於《The Gods We Can Touch》的單曲
  1. Exist for Love
    發行日期：2020年5月14日
  2. Cure for Me
    發行日期：2021年7月7日
  3. Giving in to the Love
    發行日期：2021年10月14日
  4. Heathens
    發行日期：2021年12月2日
  5. A Dangerous Thing
    發行日期：2022年1月7日
  6. A Temporary High
    發行日期：2022年1月21日
  7. The Woman I Am
    發行日期：2022年4月4日
  8. The Devil is Human
    發行日期：2022年7月8日
  9. A Potion for Love
    發行日期：2022年7月29日

《不完美之神》[1]（英語："The Gods We Can Touch"）是挪威女性創作歌手歐若拉的第三張錄音室專輯，於2022年1月21日發行。該專輯由迪卡唱片和Glassnote唱片（英语：Glassnote Records）發行。歐若拉於該專輯與芒努斯·斯卡爾斯塔德（英语：Magnus Skylstad）、阿希埃爾·索尔斯特兰德（英语：Askjell Solstrand）合作，並有杰米·哈特曼（英语：Jamie Hartman）、马丁·舍利厄（英语：Martin Sjølie）、马蒂亚斯·特列斯（英语：Matias Tellez）等人參與製作。

Conceived as a departure from the concept and sound of her previous works, The Gods We Can Touch has been characterised to be an electropop record, along with folk-pop, ethereal（英语：Ethereal wave）, art pop, electro-folk（英语：electro-folk）, and synth-pop. Its sound incorporates an eclectic（英语：Eclecticism in music） and multifaceted style with electronic textures, Western elements, and intimate orchestrations. Inspired predominantly by Greek mythology, the lyrics explore themes of self-empowerment, abuse, heartbreak, morality and desire, with a maximal（英语：Maximalism） and introspective style. The Gods We Can Touch received critical acclaim upon release, with music critics（英语：music journalism） praising its "ethereal" vocal performance and experimental musical direction.

The Gods We Can Touch was supported by nine singles, four of which were supplemented by music videos. "Exist for Love" was promoted by an online music festival organized by Aurora. "Cure for Me", "Giving in to the Love", and "Heathens" were released between October and December 2021. "A Dangerous Thing" and "Everything Matters", featuring French singer Pomme, were released as a double single. "A Temporary High" followed alongside the album's release. The record debuted atop the Norwegian albums chart as Aurora's second number-one album in Norway, while also reaching the top ten in Scotland, the United Kingdom, and the US Billboard Heatseekers Albums chart. To further promote the album, Aurora performed several songs at the concert film A Touch of the Divine and embarked on her fourth headlining concert tour.

背景與錄製

圖中為挪威韦斯特兰郡的男爵領地羅森達爾（英语：Barony Rosendal）。歐若拉於2020年租用此地，並在此錄製了大部分《不完美之神》中收錄的歌曲。

2019年1月，歐若拉選定新專輯的標題後不久，她就開始為專輯創作歌曲[2]。據她所述，她於2019年6月的專輯《另類物種（英语：A Different Kind of Human (Step 2)）》發行後，兩天內便擬定了下一步計畫[3]。她在創作過程中研究了宗教史，並將其用於她的新專輯[4]。

歐若拉於《Billboard Japan》的採訪中表示，兩張尚未發行的新專輯已於2019年11月開始製作[3]。她於《Riff Magazine》得採訪中透露，她的下張專輯相比先前的作品有更廣闊的視角，並提到「專輯是為每一位心中有『愛的大軍』的人而作」[5]。她於《Motley》的採訪中解釋，這張專輯「將穿上堅硬的盔甲，但同時也在探索我柔軟、脆弱的一面」[6]。

The first recorded song for the album was "Exist for Love", which was recorded in January 2020 at the Office in Norway, a month before the COVID-19 pandemic was declared in Norway.[7] The track was made in collaboration with Isobel Waller-Bridge（英语：Isobel Waller-Bridge）, who contributed with string arrangements.[8] In November 2020, Aurora rented Barony Rosendal（英语：Barony Rosendal） to record The Gods We Can Touch.[9] Other recording locations included The Jungle and Blanca Studio, all located in Norway.[10] In April 2021, Aurora's single "Runaway" began growing in popularity on TikTok. In an interview with NME regarding the song's newfound success, Aurora described the themes of the upcoming album: "I'm asking questions to everything that made us the way we are now; in our past, in politics, religion, and in weird ways of thought we have created that make no sense – like racism, not being a feminist or burning women for being witches. All of these strange things that we have convinced ourselves are the right thing to do, which is just so odd."[11] She later stated in July 2021 that album was finished, and her intentions to release the album before the end of 2021.[12]

詞曲

綜觀

The Gods We Can Touch has been characterised to be an electropop record,[13][14][15][16][17] along with folk-pop,[15][18] ethereal（英语：Ethereal wave）,[18][17] art pop,[19][20] electro-folk（英语：electro-folk）,[17] and synth-pop.[17] The sound of the album incorporates an eclectic（英语：Eclecticism in music） and multifaceted style,[15][21][17] set with vast soundscapes, electronic textures, Western elements, intimate orchestrations, multiple layers, and textures.[22][15] Musical influences of the record draws from a wide range of genres, such as jazz,[23] chamber pop（英语：chamber pop）, global music,[24] Latin music, and arena rock（英语：arena rock）.[25] Aurora classified the album as its own genre due to its "chaotic" and "genre blending" sound.[26]

Marcy Donelson of AllMusic stated that "The Gods We Can Touch mixes natural, live-sounding vocals and acoustic instrumental performances with ethereal processed harmonies（英语：Vocal harmony）, drum machine（英语：drum machine）s, synthesizers, and various programming." The tracks "Exist for Love" and Artemis" were the only songs recorded on first takes, which "commit[ted] to a more spontaneous sound."[27] Aurora's sopranolike vocal performance throughout the album was described by many critics as "ethereal",[15][17][21][18] with interludes to songs that showcase her voice and vocal tone shifts.[22][13] Georgia Griffiths from The Music（英语：The Music (magazine)） wrote that Aurora is "channelling Lana Del Rey, [and] the next it's Santigold（英语：Santigold）" in her vocal performances on the record.[22]

A concept album like Aurora's previous releases, The Gods We Can Touch deviates from the concepts found on her tribal（英语：Tribal music）-inspired EP Infections of a Different Kind (Step 1)（英语：Infections of a Different Kind (Step 1)） (2018) and album A Different Kind of Human (Step 2)（英语：A Different Kind of Human (Step 2)） (2019), in which she explored themes of empowerment, politics and ecological crisis（英语：ecological crisis）.[15][28] Described by her as "chapter three of my life",[29] she revealed to be going to a more experimental direction with the album, and stated that it would not discuss themes like "doom, gloom, COVID and horror", instead of focusing on "more playful and fun" songs, whilst also referencing "a lot of things that bother [her] with society and our history".[12] The lyrical themes are heavily inspired predominantly by Greek mythology,[25][15][22] though Aurora acknowledged that some of them have references to Abrahamic and ancient Roman religions.[30][31] Furthermore, the styles of lyrical writing have been described as dark and disturbing, with a maximal（英语：Maximalism） and introspective style.[18][32][15] The lyrics throughout the songs of the record also talk about self-empowerment, abuse, heartbreak, morality and desire.[13][16]

歌曲

"Everything Matters", the second track on The Gods We Can Touch, features vocals from French singer Pomme, marking Aurora's first collaboration in one of her albums.

The Gods We Can Touch opens with "The Forbidden Fruits of Eden", an interlude that takes its title from the forbidden fruit of the Garden of Eden that appeared in the biblical book of Genesis.[25] Composed of delicate harmonies, it "set[s] an explicitly religious tone" for the rest of the album.[16] The electronica and chamber pop ballad "Everything Matters" features French singer-songwriter Pomme with a spoken word（英语：spoken word） outro in French language.[33][23][15] Inspired by the myth of Prometheus and the creation of humanity from clay（英语：Creation of life from clay）, "Giving in to the Love", questions obsession with body image, while .[34] It incorporates electropop and power pop genres and contains tom tom strikes, a drum machine and echoey synths.[35][36] The baroque pop track "You Keep Me Crawling" deals with abuse of power in relationships where Aurora conveys "intensity and power in her vocals, while also showing vulnerability and softer moments."[9][37][38]

Aurora called "Exist for Love" her first love song.[39] It is a dreamy, retro-styled ballad accompanied by acoustic guitar and backing harmonies that moves into a soaring, strings-swept melody as she declares her love to her lover.[36][27] The following track, "The Innocent", is an upbeat dance-pop and house song with a Latin rhythm that is accompanied by syncopated chordal piano, brass and pizzicato strings.[40][24] Its production was described to be "harking back to the 1920s Jazz Age conventions, yet being undercut with a more current EDM feel."[23] "Exhale Inhale", a stark contrast to the previous song, contains a folk-inspired sound.[35][16] The track discusses the fear of several environmental issues（英语：environmental issues） "that awaits us" like wildfires and pollution.[41][42] "A Temporary High" has an 1980s（英语：1980s in music）-influenced synth-pop sound that breaks into a thumping electro（英语：Electro music） beat.[38][43]

In "A Dangerous Thing", Aurora reflects on an abusive relationship（英语：abusive relationship）, referencing the goddess of seduction Peitho, and showcases tone shifts from light harmonies to deeper verses.[16] The dark sonority of the song is backed by an acoustic guitar, light chimes and minimal drumming.[40] "Blood in the Wine" opens with a war cry reminiscent of The Good, the Bad and the Ugly against gentle acoustic guitar and thunderous percussion as it builds into a "collosus roar".[17] An electropop track, which was compared to the music of Fleetwood Mac, "This Could Be a Dream" is a subdued ballad driven by "a flowing melody over a slow beat", piano, orchestral strings and trumpets that talks about "finding strength when you have nothing left to give."[13][14][17] The Gods We Can Touch closes with the folk and orchestral pop（英语：orchestral pop） cut "A Little Place Called the Moon".[27][16] One of her favourite songs from the album, Aurora felt that it was the "perfect ending" for the album.[44]

發行與宣傳

After clearing her Instagram feed in May 2020, Aurora began hinting at "the beginning of a new era".[45] She initially expected to release the album in that year but she revealed in a September 2020 interview her decision to postpone it due to the COVID-19 pandemic.[29] The next year, the album was delayed to early 2022, following the commercial success of her 2015 single "Runaway".[9] On 14 October 2021, she revealed the album's name and track listing.[46]

In July 2020 Aurora organized the Exist for Love Sessions, an online music festival that promoted various emerging artists.[45] She later appeared at the Late Night with Seth Meyers in November 2021, her first performance at that show since 2018.[47] In promotion of the album's release in the United Kingdom, Aurora performed at two sold-out shows in London.[48] She was also interviewed by Norwegian TV host Anne Lindmo（英语：Anne Lindmo） and performed "A Temporary High" in her talk show Lindmo, which was broadcast by NRK.[49]

單曲

Aurora decided to release "Exist for Love" as the album's first single on 14 May 2020 because she felt "the world needs more love than ever".[50] "Cure for Me" was released as The Gods We Can Touch's next single on 7 July 2021.[51]

On 14 October, she released "Giving in to the Love" as the album's next single, and officially announced The Gods We Can Touch, and its release date of 21 January 2022.[46] On 2 December, she released "Heathens" was released as the album's fourth single.[52] "A Dangerous Thing" was released as a double single on 7 January 2022 with "Everything Matters", featuring French singer Pomme, as a B-side. The latter song was released as a promotional single（英语：promotional single） only.[53]

"A Temporary High" served as the seventh single, released on 21 January 2022, alongside the album's release.[54] A music video was released on 27 January 2022.[55] "The Woman I Am", initially a vinyl-exclusive track, it was officially released on 4 April 2022 as the record's eighth single.[56]

表演電影與巡演

On 3 December 2021, Aurora announced a virtual concert film titled A Touch of the Divine, released exclusively to Moment House on 25 January 2022, a week later after the album was released.[57] It was directed by Alexandra Green and produced by Bullion Productions and Mercury Studios.[58] A teaser was posted on 18 January 2022, while an official trailer was released two days later.[59][60] Described as a "worldwide digital experience", the film included six songs from the album that were accompanied by choreography and interludes spoken by Aurora herself.[57][61]

The album received further promotion from her fourth headlining concert tour, which was announced on 9 July 2021.[62] The tour will span across Europe and North America, starting on 13 February 2022 in Milan, Italy,[62] and set to conclude on 12–13 September in Barcelona, Spain.[63] The second leg of the tour visited North America in May and June 2022.[9]

專業評價

專業評分
綜合得分
來源評分
AnyDecentMusic?7.9/10[64]
Metacritic81/100[65]
評論得分
來源評分
AllMusic4/5颗星[27]
Clash（英语：Clash (magazine)）8/10[32]
DIY（英语：DIY (magazine)）4/5颗星[24]
Dork（英语：Dork (magazine)）4/5颗星[66]
Gigwise（英语：Gigwise）7/10颗星[16]
The Line of Best Fit（英语：The Line of Best Fit）9/10[18]
musicOMH（英语：musicOMH）4.5/5颗星[43]
NME4/5颗星[37]
NRK P35/6[35]
Under the Radar（英语：Under the Radar (magazine)）8/10颗星[33]

The Gods We Can Touch was met with critical acclaim upon release.[67] At Metacritic, which assigns a normalised score out of 100 to ratings from publications, the album received a mean score of 81 based on 9 reviews, indicating "universal acclaim".[65]

The Line of Best Fit（英语：The Line of Best Fit） writer Tom Williams praised the album as an "ethereal（英语：Ethereal wave） masterpiece" and stated that Aurora's sound is "like heaven on Earth."[18] Steven Loftin of Dork（英语：Dork (magazine)） called Aurora on the album "exciting as she is intriguing" and makes the "world feels like a better place."[66] Clash（英语：Clash (magazine)）'s Finlay Holden called the record "high-reaching" and noted that the themes of "angry, celebratory, wallowing and cathartic energies exhibit themselves in a maximalist way."[32] Ben Hogwood from musicOMH（英语：musicOMH） states that the record consisted of "futuristic production and intriguing, sometimes daring melodies" despite being rooted in a "deep and very distant past."[43]

Chris Hamilton-Peach of DIY（英语：DIY (magazine)） writes that "Aurora's celestial spark remains her calling card" on the album.[24] Gigwise（英语：Gigwise） writer Tom Taylor sees Aurora as she "experiments with genre in her joyful new album" while also being reliant on "high-energy, electro-pop anthems."[16] Andrew Trendell of NME notes that the record "seizes the opportunity to take the world on and fight with all her power" and is loaded with "idiosyncratic quirks and enchanting notions."[37] Hayden Godfrey from Under the Radar（英语：Under the Radar (magazine)） felt that the record showcases Aurora's "glorious highs and careful lows" towards the production.[33] Ewan Gleadow from Cult Following says that Aurora "relies entirely on the fascinatingly lucid vocal range she holds."[68] According to Marcy Donelson from AllMusic, the record only expands on Aurora's "already mystical bearing."[27]

商業表現

Upon its release, The Gods We Can Touch became the third most-streamed album on Spotify that week with over 60 million streams on the platform.[48] The album debuted atop the Norwegian VG-lista chart, marking Aurora's second number one on the chart.[69] In the United States, the record peaked at numbers six and 56 on Billboard's Top Heatseekers and Top Current Album Sales charts, respectively.[70][71]

曲目

All tracks produced by Aurora and Magnus Skylstad（英语：Magnus Skylstad）, except where noted.

The Gods We Can Touch – Standard edition
曲序曲目词曲製作时长
1.The Forbidden Fruits of EdenAurora Aksnes 0:40
2.Everything Matters（featuring Pomme）
3:33
3.Giving in to the Love
  • Aksnes
  • Skylstad
 3:01
4.Cure for Me
  • Aksnes
  • Skylstad
 3:18
5.You Keep Me Crawling
  • Aksnes
  • Skylstad
 2:59
6.Exist for Love
  • Aksnes
  • Glen Roberts
  • Skylstad
 4:10
7.Heathens
  • Aksnes
  • Skylstad
  • Odd Martin Skålnes
 3:45
8.The Innocent
  • Aksnes
  • Roberts
  • Skylstad
 3:27
9.Exhale Inhale
  • Aksnes
  • Roberts
  • Skylstad
 3:32
10.A Temporary High
  • Aksnes
  • Skylstad
 3:23
11.A Dangerous Thing
  • Aurora
  • Skylstad
  • Sjølie[a]
3:35
12.ArtemisAksnes 2:38
13.Blood in the Wine
3:29
14.This Could Be a Dream
  • Aksnes
  • Skylstad
 4:08
15.A Little Place Called the Moon
  • Aurora
  • Tellez
4:10
总时长：49:55
The Gods We Can Touch – Japanese edition (bonus track)
曲序曲目词曲Producer(s)时长
16.Cure for Me（Acoustic）
  • Aksnes
  • Skylstad
  • Aurora
  • Skylstad
  • Svabø
3:33
总时长：53:29
The Gods We Can Touch – Spotify (bonus track)
曲序曲目词曲Producer(s)时长
16.The Woman I Am
  • Aksnes
  • Roberts
  • Skylstad
  • Aurora
  • Skylstad
3:12
总时长：53:08
The Gods We Can Touch – Alternative vinyl edition
曲序曲目词曲Producer(s)时长
1.The Forbidden Fruits of EdenAurora Aksnes 0:38
2.Cure for Me
  • Aksnes
  • Skylstad
 3:18
3.The Innocent
  • Aksnes
  • Roberts
  • Skylstad
 3:07
4.A Dangerous Thing
  • Aksnes
  • Sjølie
  • Aurora
  • Skylstad
  • Sjølie[a]
3:32
5.Exist for Love
  • Aksnes
  • Roberts
  • Skylstad
 4:07
6.Heathens
  • Aksnes
  • Skylstad
  • Skålnes
 3:41
7.Blood in the Wine
  • Aksnes
  • Solstrand
  • Svabø
3:29
8.Exhale Inhale
  • Aksnes
  • Roberts
  • Skylstad
 3:30
9.A Temporary High
  • Aksnes
  • Skylstad
 3:22
10.The Woman I Am
  • Aksnes
  • Roberts
  • Skylstad
  • Aurora
  • Skylstad
3:12
11.This Could Be a Dream
  • Aksnes
  • Skylstad
 3:58
12.ArtemisAksnes 2:34
13.The Devil Is Human
  • Aurora
  • Skylstad
  • Ball
3:01
14.Everything Matters（featuring Pomme）
  • Aksnes
  • Claire Pommet
  • Hartman
  • Aurora
  • Skylstad
  • Hartman[a]
3:30
15.A Little Place Called the Moon
  • Aksnes
  • Tellez
  • Aurora
  • Tellez
4:10
总时长：49:44
The Gods We Can Touch – Japanese Special Edition (Disc 2)
曲序曲目词曲Producer(s)时长
1.The Woman I Am
  • Aksnes
  • Roberts
  • Skylstad
  • Aurora
  • Skylstad
3:12
2.The Devil Is Human
  • Aksnes
  • Bennett
  • Ball
  • Aurora
  • Skylstad
  • Ball
3:01
3.A Potion for Love
  • Aksnes
  • Langebæk
  • Aurora
  • Skylstad
3:36
4.Storm（with Wu Qing-feng) (English Version）
  • Aksnes
  • Howe Chen
  • Roberts
  • Skylstad
  • Wu Qing-feng
  • Howe Chen
  • Skylstad
  • Wu Qing-feng
3:51
5.Hunting Shadows（Assassin's Creed）
  • Aurora
  • Kjelby
2:55
6.Runaway（Piano Version）
  • Aksnes
  • Skylstad
  • Skålnes
  • Skylstad
4:47
7.A Temporary High（Acoustic）
  • Aksnes
  • Skylstad
 2:50
8.A Potion for Love（VEVO Session）
  • Aksnes
  • Langebæk
  • Aurora
  • Skylstad
3:19
9.Exhale Inhale（VEVO Session）
  • Aksnes
  • Roberts
  • Skylstad
 4:00
10.Exist for Love（Live from SUPERSONIC 2021）
  • Aksnes
  • Roberts
  • Skylstad
 4:48
总时长：36:22

註釋

  • ^a signifies a co-producer.
  • Vinyl releases of the album that include the alternative track listing have different versions of some of its tracks.[72]

製作團隊

Credits adapted from the CD liner notes of The Gods We Can Touch.[10]

音樂家

技術人員

  • Aurora – production (all tracks)
  • Magnus Skylstad – production (tracks 1–14); programming (tracks 2, 4, 6–7); engineering (tracks 2, 4, 7, 11), mixing, recording engineer (track 3)
  • Jamie Hartman（英语：Jamie Hartman） – production (track 2)
  • Martin Sjølie – co-production (track 11)
  • Alex Whartman – mastering (all tracks)
  • Josh Gudwin – mixing (track 4)
  • Robin Schmidt – mastering (track 6)

設計

排行榜

週榜單（2022年） 最高排名
澳大利亚（澳大利亚唱片业协会榜）[73] 100
奧地利（奧地利Ö3專輯榜）[74] 24
比利時法蘭德斯（Ultratop專輯榜）[75] 25
比利時瓦隆（Ultratop專輯榜）[76] 29
荷蘭（MegaCharts專輯榜）[77] 28
芬蘭（Suomen virallinen lista專輯榜）[78] 47
法國（SNEP專輯榜）[79] 56
德國（Offizielle Top 100專輯榜）[80] 11
挪威（世界之路榜單）[69] 1
波蘭（ZPAV專輯榜）[81] 31
蘇格蘭（OCC專輯榜）[82] 7
斯洛伐克（國際唱片業協會）[83] 70
西班牙（PROMUSICAE專輯榜）[84] 53
瑞士（Schweizer Hitparade專輯榜）[85] 16
英國（OCC專輯榜）[86] 8
美國（《告示牌》Top Heatseekers Albums）[70] 6
美國（《告示牌》Top Current Album Sales）[71] 56

發行歷史

Release dates and formats for The Gods We Can Touch
Region Date Format(s) Label Edition Ref.
Various January 21, 2022
Standard [87]
[88]
Japan
  • CD
 Universal Music Japan Japan bonus [89]
January 18, 2023 Japan Special [90]

參考資料

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  3. ^ 3.0 3.1 『アナ雪2』の不思議な"声"AURORA（オーロラ）が語る、音楽観と死生観「人間として生きることは難しいこと」. Billboard Japan. 2022-12-17 [2022-06-13]. （原始内容存档于2021-11-16） （日语）. 
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